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Variety

“A Different World” Meets a New Generation of HBCU Students

Howard students and professors consider what the original series meant then and what its return means for a new generation.
Reading Time 5 mins
A person pointing a remote at the TV.  (Photo courtesy of NappyStock)

Nearly four decades after “A Different World” premiered in 1987, Netflix is bringing the series back with a 10-episode sequel premiering Sept. 24. 

Howard alumna Kennedi Reece will join the cast as Hazel, a Hillman student. The return has Howard students and professors reflecting on what the original meant to them and what they hope to see from the new series.

For Mariah Smith, a junior nursing major from Southampton, Virginia, “A Different World” offered a glimpse of the historically Black college (HBCU) community she hoped to find for herself. Coming from a small town where she said Black people rarely stood together, Smith longed to be surrounded by people who shared her culture and understood her experiences.

“The sense of community and mutual support, the friendships, the real-life conversations and you can’t dismiss the romance of Dwayne and Whitley, how could you not want to come to an HBCU?” Smith said. “All of those made me hopeful and excited to experience what it truly means to be at an HBCU.”

Years later, Smith found the community she had hoped for at Howard. 

“I wanted to sit amongst my peers and bond over what life has looked like for us,” she said. “Even though we may not be from the same place, we’re still susceptible to the same experiences.”

Jami Ramberan, professor and chair of Howard University’s Department of Media, Journalism and Film, said the original “A Different World” series offered audiences a broader picture of Black college life. Speaking from her perspective as a scholar of media and film, Ramberan said the series stood out for portraying students with different backgrounds, ambitions, political views and experiences. 

“‘A Different World’ was significant because it presented Black college life as rich, diverse, intellectually rigorous and joyful,” Ramberan said.

Ramberan explained how the series introduced many viewers to HBCU culture and helped them see these institutions as places where Black identity, scholarship, creativity and leadership could thrive. But she believes HBCU stories today are still often reduced to familiar images such as Homecoming, marching bands, Greek life and nostalgia.

“A new ‘A Different World’ could explore realities that the original series could not have anticipated, including social media, artificial intelligence, student debt and political polarization,” Ramberan said.

For some current Howard students, the series is not a familiar part of their childhood. Jai’Lynn Henderson, a junior sociology major from Charlotte, North Carolina, said she only learned about the original series last week after a coworker showed her the sequel trailer.

“I heard that it was about a group of young Black students navigating college life, but that is really all I knew about it,” Henderson said.

Although Henderson is new to the series, she already has an idea of what HBCU life should look like on screen.

“For me, an authentic portrayal of HBCU life on television would showcase Black joy and excellence while also uncovering the realities of unlearning white education and embracing the duality of our Black identities,” Henderson said.

The sequel has also made Henderson interested in watching the original series. She said that positive representation of Black communities can encourage young people to pursue an HBCU education while giving audiences outside of HBCUs a better understanding of the culture and community these institutions offer.

For Nikkole Salter, a professor in Chadwick A. Boseman College of Fine Arts, joining a story with the cultural weight of “A Different World” comes with its own responsibility.

“It is both an honor and a privilege to contribute to the legacy of a culture-shifting narrative in any medium. With that privilege comes the need for balance,” Salter said. “An actor has a responsibility to steward the story with care and ensure that their contribution aligns with the larger work, while remaining true to themselves and the distinctiveness of their artistry.” 

Salter said performers can help move Black storytelling beyond familiar stereotypes by treating their characters as complex individuals.

“Performers portraying Black college students and HBCU life can contribute meaningfully to that evolution by approaching their characters as specific, complex, nuanced human beings rather than broad caricatures,” Salter said.

Shom Shamapande, a professor in Howard University’s Department of Media, Journalism and Film, believes the sequel has to balance making the series relevant to a new generation without losing what made the original meaningful.

“Nostalgia will get people to tune in for the first week or two,” Shamapande said. “But nostalgia alone won’t sustain a television series. What will ultimately make this reboot successful are authentic, compelling stories that feel relevant to young people today.”

Shamapande said honoring the original means creating something that can have a similar impact on today’s viewers.

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“To honor the legacy of ‘A Different World’ is not simply to recreate what worked before, but to do for this generation what the original did for mine: start conversations, challenge assumptions,” Shamapande said.

Copy edited by Jori Johnson

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